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Sunday, November 8, 2009

Idiots are very normal persons, says Aamir Khan


He has begun promoting his upcoming film, ‘3 Idiots’




Ahead of the release of his new film "3 Idiots", Bollywood actor Aamir Khan drew a distinction between the term "idiots" and "stupid", saying that "idiots are very normal persons" who at some point prove themselves in an "unconventional way".

At an event in a Mumbai hotel to promote the first song of Rajkumar Hirani's "3 Idiots", Aamir said: "Idiots are thought to be very normal persons but at some point of time they prove themselves to be someone with extra calibre. They are not stupid, rather they come to limelight in an unconventional way."

Actor R. Madhavan and Sharman Joshi were also present at the screening of the song "Jab life ho out of control, all is well".

There are five songs in the film.

"3 idiots" is a story of three engineering students - Sharman Joshi, Aamir Khan and R. Madhavan - and their experiences on the campus.

Kareena Kapoor and Boman Irani play important roles and Kajol makes a special appearance in the film. The campus shown in the film is of the Indian Institute of Management-Ahmedabad (IIM-A).

The film is scheduled to release on Dec 25.

Details of Shilpa’s Nov 22 wedding…

instead of the traditional mare bringing the groom to Shilpa Shetty's doorsteps, Raj Kundra has decided to ride an elaborate chariot.



It will set the tone for an elaborate yet exclusive Shilpa-Raj Kundra marriage on Nov 22 where, according to a close friend of Shilpa, "Tarun Tahiliani has designed the wedding outfit that no bride in Bollywood or outside has ever worn before".

The guest list of 150 people for the Nov 22 wedding is restricted to Shilpa and Raj's family only. Raj's parents and sister are expected any moment from London and his relatives from Ludhiana and Amritsar are expected to arrive closer to the wedding.

The wedding will be conducted fully in the Bunt tradition, according to the Mangalorean community that the Shettys belong to.

The wedding will be held at Shilpa’s good friend Kiran Bawa’s farmhouse in Khandala. The mehendi and the sangeet ceremony too will be held at the same place on November 21.

Post that a grand reception will be held at a 5-star hotel in Mumbai on November 24, which will have over 500 guests.

Shilpa and Raj will then fly to London for a reception organised by Raj for his family and friends there. This will be followed by a one-month honeymoon.
Why the rushed wedding, a lot of people are wondering.

"Shilpa's mom consulted the astrological documents and found that the next auspicious date was not before April 2010. Shilpa's first response was, 'Not without my sister'. But now that Shamita is well on the way out of 'Bigg Boss' Shilpa doesn't mind the rush, though she would be shooting until the very last moment for the Indo-Chinese production 'Desire' in Hyderabad," says a very close friend of the Shettys.

The last thing Shilpa wants to do at the moment is to work. "But a commitment is a commitment," says Shilpa's friend.


http://www.masala.com

Thursday, November 5, 2009

irani celeb's hot pic



















Salma Hayek Hotest picture: MEGA COLLECTION





Kim Kardashian Hot In Blue dress














'Prem' ki ghazab kahani...




Shakespeare once said 'What's in a name' but Bollywood says everything lies in a name, especially the screen names. They have a larger-than-life impact. They have a way of not just establishing an identity but also moulding the reel-life personality of an actor. And some screen names like 'Prem' are so favorable for their stars that it changes their entire fate. Believe it or not but 'Prem' has proved to be a good omen for whoever adopted this name on screen.

It all starts with superstar Salman Khan. Sooraj Barjatya's blockbuster MAINE PYAAR KIYA introduced 'Prem' through Salman. And it went to achieve a status of an eternal lover boy in Hindi Cinema. Be it Aamir's rival-in-love in ANDAZ APNA APNA, Karisma's philandering pati in BIWI NO. 1, Twins of JUDWAA, Rani Mukherji's soulmate in KAHIN PYAR NA HO JAYE or Govinda's loveguru in PARTNER 'Prem' deposited a share of luck in Salman Khan's kitty. It kind of became a trademark for Salman.

While in the entire 90's Salman was the only one who enchanted us with his Prem, than in later years many actors tried their hand to do a 'Prem'. Shahid Kapoor was among the one who tasted success when he took the baton of essaying 'The Romantic Prem' on-screen from Salman Khan that too in Sooraj Barjatiya's superhit film VIVAAH. Further when Sonu Sood turned Prem for Barjatiya's EK VIVAAH AISA BHI it quite proved beneficial for him. It not only garnered him success, though not the commercial one, but he also managed to enter in the good books of Barjatiyas and media. EK VIVAAH... was his first big banner solo lead film.

Even Ajay Devgan witnessed the charisma that the name (Prem) carries. The name again cast its spell and Ajay's lately released ALL THE BEST turn out a huge hit at the Box-office, despite of the presence of tough contenders like BLUE & MAIN AURR MRS. KHANNA.

And now its Bollywood's new blue-eyed boy Ranbir Kapoor's turn, who is all set to try his luck with 'Prem' in the upcoming release Rajkumar Santoshi's AJAB PREM KI GHAZAB KAHANI, starring Katrina Kaif alongside. Though B-town is quite upbeat about this new Prem, it is left to be seen whether this Prem is able to carry the legacy ahead like his seniors and what ghazab he does with his ajab prem!

Wednesday, October 28, 2009

Michael Jackson's This Is It

A concert rehearsal film starring Michael Jackson. Directed by Kenny Ortega. 111 minutes. At major theatres




Appropriate to Halloween week, ghoulish questions abounded going into last night's preview of Michael Jackson's This Is It, which opens worldwide Wednesday.

Would this filmed record of Jackson's rehearsals for a London concert series planned prior to his death last June show the reclusive pop icon morbidly in decline, as out of tune and out of shape as Elvis Presley was in his final days?

Could anything of real value be expected from a show still in the creative phase, and in a digital video format originally intended as private reference material and not for public consumption?

Jackson fans will be delighted to hear the answer is a resounding "no" to the first question and "yes" to the second.

Jackson looks thinner than ever, but his singing is strong and he moves (and moonwalks) with vigour, right from the start of the opening number "Wanna Be Startin' Somethin'", from Thriller, his record-breaking 1982 album.

This is Michael Jackson unvarnished, the wizard behind the curtain and the man-child in the mirror, and it's fascinating to behold.

He's as tough as Frank Sinatra with his perfectionistic demands, brooking no dissent as he puts dancers and musicians half his age through their gruelling paces.

But he's also as fragile as Judy Garland, as is evident on the moving ballad "Human Nature."

This with pyrotechnics and big rock flourishes you'd expect more from the likes of Pink Floyd or the Rolling Stones.

It also packs an emotional wallop; there's an undeniable sadness seeing this and knowing it's the show he never gave and now never will.

Directed by Kenny Ortega, Jackson's longtime collaborator and creative director who was also in charge of the London concert series, This Is It is scheduled to run in theatres for just two weeks. An extension is widely expected if screenings sell out, as advance sales indicate they will.

The film is culled from more than 100 hours of high-definition rehearsal footage, shot from March of this year up to the hours before Jackson's June 25 death from heart failure at age 50. It was lensed mainly at the The Forum and the Staples Center in Los Angeles, where Jackson had been putting in full days of work for weeks.

He sweated every small detail, as the film shows in scenes both onstage and backstage.

This Is It packs a lot into nearly two hours, covering all of Jackson's career from his early days dancing and singing with the Jackson 5 in the 1960s to his near-recluse status in this decade, when he rarely performed and only occasionally recorded.

Such familiar Jackson hits as "Beat It," "Billie Jean" and "Thriller" are given the full production treatment. Jackson is assisted by 11 dancers (including Canada's Daniel Celebre of Nobleton, Ont.), with choreography by Travis Payne, another longtime collaborator.

This Is It includes a salute to Old Hollywood, through a production number and short black-and-white film celebrating such classics as the noir dramas Gilda and In a Lonely Place and the screwball comedy His Girl Friday. Jackson segues into it by way of "Smooth Criminal," a hit from his 1987 album Bad.

Jackson, Payne and Ortega alsoeagerly revive the Thriller zombie dance number, which by chance was performed for the first time in full costume at Jackson's final rehearsal, the day before his untimely death.

The 28 songs (26 by Jackson) in the movie include a four-tune medley tribute to the Jackson 5, the Motown brothers act (later called The Jacksons) that propelled young Michael to pre-teen fame in the 1960s and 1970s:

"I'll Be There," "I Want You Back," "The Love You Save" and "Shake Your Body (Down to the Ground)."

This Is It sounds like a title epitaph written after the fact of Jackson's death, but the connection to the singer oddly goes back more than a quarter-century. It was originally the title of a song he co-wrote with Paul Anka in the early 1980s, which was shelved at the time but recently reissued as a "new" song to promote the movie (it's heard over the end credits), with fresh backing vocals from Jackson's brothers.

This Is It was also intended to be the title for the series of 50 career-reviving concerts by Jackson at London's 02 Arena, which had been scheduled to begin July 13 and continue through March 6, 2010.

At a London press conference last March to announce the series, Jackson called the 02 shows "the final curtain call." Whether he was referring to his last-ever shows in London or calling it quits to the road altogether was never made clear.

But this film of Jackson's preparations for the London gigs proves how seriously he took them, and how determined he was to make them memorable.

Saturday, October 17, 2009

'Gilmore' girl Lauren Graham on her big TV comeback

Sometimes the way the TV biz works leaves me scratching my head, going, “Huh?” Other times, I get it… it’s fate. This is definitely one of those. Because although ABC passed on Lauren Graham’s comedy pilot, she’s still returning to the tube this season, on NBC’s buzzy Parenthood series. And here, in her first interview since agreeing to step in for Maura Tierney as single mom Sarah, the Gilmore Girls gabber explains why she decided to join the all-star ensemble, why her new character is nothing like Lorelai, and what her new gig means for that much-discussed-by-me Gilmore movie.




Why did you decide to take the part?
LAUREN GRAHAM: It’s the best thing I’ve read. It’s was really that simple.

Any trepidation about signing another long-term TV commitment?
GRAHAM: Yeah. I’ve been out of that work for, I guess it’s been two-and-half years now. I did a Broadway show, I did three movies… I [enjoyed] working freelance like that. So, strangely, as much as I’ve been looking for a series almost since I ended that last one, it was almost like, “But wait… ” I’ve enjoyed [the variety] of projects I’ve done. That’s hard to think about giving up.

Why join an ensemble instead of continuing to pursue your own vehicle?
GRAHAM: Well, it’s just so good. As I said to [executive producer] Jason Katims, I’m used to seeing my character on every single page [of the script]. But my favorite dramas were ensembles like The West Wing and Studio 60… This was put in front of me and I responded instinctually. It was just something I really wanted to do.

Sarah shares some things in common with Lorelai.
GRAHAM: She’s a woman. She probably wears jeans. [Laughs]. She’s a single mom, yes, but I don’t think the tone of the show is the same. The sound of Gilmore Girls, that voice, is so unique to Amy [Sherman-Palladino]. This show has its own voice. It’s a grown-up show, too. It doesn’t have some of the more whimsical elements of [Gilmore Girls]. It’s more realistic.

You’ll probably have fewer lines of dialogue to memorize, too.
GRAHAM: [Laughs] Jason’s language is very elegant and economical — and that’s not to put [Gilmore Girls] down. Nothing will ever be like that. The thing that was most important to me is to have a writer who I feel can really write something that I’m dying to do, ’cause that’s what I had last time. And this is how that felt to me. So whether or not it seems like the logical next step, I just really responded to the material and that’s where I had good luck last time. [When I considered doing Gilmore], people were like, “Oh, it’s the WB” and “Oh, you’re playing a mom.” I’ve had good luck just following my instincts.

Will anything change about the character now that you’re playing her?
GRAHAM: I’m getting together to talk with Jason this weekend. That’s one of the key things [I liked] about this job was he was like, “I really want to hear what you want [this role] to be.” We’re still kind of working that out a little bit. What I said to him is I’m interested in the flawed part of her. For seven years I played someone who people come up and say, “I wish my mom was just like Lorelai.” That’s not this character. She’s not perfect. She’s funny and smart and she’s doing a pretty good job, but she’s struggling, and that’s what I’m drawn to. In my experience, it’s the less noble parts of someone that are the most interesting, especially over a long story.

Exclusive: Eric Braeden says it's 'end of road' in negotiations with 'Young and the Restless'

Genoa City fans who were holding out hope that Victor Newman will stay should start prepping their goodbyes now: Eric Braeden told EW.com exclusively today that “it’s the end of the road” and he’s “pulled the plug” on any more talks to stay on The Young and the Restless




In September, Braeden walked off the set of the soap that he’s called home since 1980 after an ugly contract negotiation with Sony. The production company wanted Braeden, 68, to take a pay cut but the actor opted to leave, instead. Braeden told EW that he has since made a counter offer (he offered to take a “substantial” pay cut on the top of a voluntary 10% reduction he took two years ago) but it apparently wasn’t enough for Sony. Braeden’s last appearance on the soap will air Nov. 2.

“We reached an impasse in the negotiations,” Braeden told EW.com. “I have shown flexibility, they have shown none. It is over. I pulled the plug. That’s it. No more. If I show good will, I expect it to be reciprocated. If there is a rigid attitude on the other side, what is there to to negotiate? That’s a sign of utter disrespect. I will not negotiate with people who remain aloof and arrogant about the whole thing. Not after 30 years, I won’t do that. I’m saying this with a great amount of sadness because I’ve had nothing but respect for my fellow cast members, I have deep respect for the crew who has done an extraordinary job year in and year out, and I have enormous respect for (head writer) Maria Bell.”

Sony and CBS did not respond to requests for comment but an insider with knowledge of the negotiations said Braeden, who had been earning a seven-figure salary, would continue to earn a seven-figure salary if he agreed to a pay cut. The cast and crew of Restless – which, at 5.12 million, is the most-watched soap in daytime today – have taken pay cuts over the last year, the insider said. Braeden says he was the first cast member to offer to take a pay cut two years ago.

Like most soaps today, Restless can’t command the same kind of rich license fee from CBS that it used to because of the softening ad market in daytime – thus Sony’s attempt to lower production costs. However, Sony continues to make money off the popular drama by selling its reruns overseas and to Soapnet.

Braeden said he’s exploring new opportunities but declined to elaborate. “It’s slowly sinking in (that I’m leaving),” said Braeden. “It’s sad.”

Khloe Kardashian: ‘I’d Have an Eating Disorder if I Was Alone in Hollywood’

Khloe Kardashian is glad she isn’t in Hollywood all by herself — because she’d probably end up with some kind of eating disorder!

The Keeping up With The Kardashians star insists she’s perfectly happy with her weight — but admits she’d probably have some body issues if she didn’t have the support of her curvy sisters.

“We are all curvy and we are all accepting of our body types,” Khloé said. “I think if I was in Hollywood by myself, I would be so much more susceptible to falling into having an eating disorder.”



Khloe recently revealed that she’d be more than happy to have a baby — as long as the pregnancy doesn’t make her fat!

“Honestly, I just lost weight!” she told E! News.

“I want to be a skinny pregnant person, like how my sister Kourtney looks so cute pregnant. I can’t be a house [after] I just lost weight.”

“Well, I am always fat no matter how much weight I lose,” Khloe said about the tabloid headlines and blogger comments. “It’s like I can never have a good body. But I have a really strong sense of self-esteem.

“It kind of frustrates me because I do work really hard.

“I eat really well and I try to look the best I can.”